Mother number 2 is Carola (Dolores Fonzi) – a woman who feels like she is always a little scared of unknown dangers one of which is also related to her puzzling and maladjusted boy David (Emilio Vodanovich). But the film is always someplace or somewhere else other than being right there in the present moment. They are looking to reach Amanda’s secluded paternal house somewhere in Chile. Mother number 1 is introduced to us as Amanda (María Valverde) – a beautiful, young woman driving through the countryside with her daughter Nina. FEVER DREAM (L to R) María Valverde as Amanda and Dolores Fonzi as Carola in FEVER DREAM. However, to put it down in words, the film is about two mothers and their respective children. Duality is also at play and none is any calming as the other.
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Of course, the atmospheric horror of Llosa’s movie is the highest point here because occasionally her gaze and mystery slip through, giving a meandering aura out. Related to Fever Dream – Fiebre Austral (Austral Fever) : ‘Venice’ Review- An Ode to The Inexplicable Feelings
One feels like the narrative would erupt any second and all the worms that are temporarily part of the dream, would find a way to reality. This Netflix adaptation of Samanta Schweblin’s debut novel is steeped in an unnerving and unsettling atmosphere.
Of course, the film is always a step ahead asking the audience to “pay attention to the details.” But since these words are spoken by a kid – who is one of those misleading narrators that you simply can’t believe, what does one do? A single line of thought is allowed into the audience’s mind and then we are put into an atmospheric mystery of catching up. In Claudia Llosa’s “ Fever Dream” (Distancia de rescate), doubt plays an essential role. It can also be incredibly deceptive and can cater you into believing something that you can’t foresee. It is like a disease that slowly keeps hanging onto your heart until it relapses and gives up. Doubt can fester inside a body like worms latching onto an open wound.
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